36/29
In Mumbai, the routine of the sister prey is worried when she receives an unexpected gift from her alien husband. Her younger room colleagues, Anu, are trying in vain to find a place in a city to be intimate with her friend. Director Payal Kapadia and the distribution of everything we imagine when the light connects to share the most favorable reactions from Cannes and even more! The first Indian film won by the prestigious Grand Prix at the Cannes Film Festival in 2024. This movie dramatizes many challenges facing free women living in Mumbai and underlines their durability. All the women here are nurse from the same hospital, but the resemblance ends, because each of them has their own set of problems and, they could say solutions. Desire, fear, regret and stationary patience are emotions that constantly alternate when the story develops in silence. Probably the biggest benefit is a scenario that offers an unusually rich and careful dialogue between the characters. It seems that a series of plot events are enough to provide an interview scaffold in which people have space to be unusual and use with each other, even if they are or attitude. The procedure is uniformly excellent and rises to the level of writing – there are no false notes, although there are some interesting free goals. quiet intensity of character ' interactions. Separation is consolidated on several points when the film seems to contain documentary elements or certainly creates this type of feeling. I have not always been crazy about music and how it was caused, but this is a minor argument that many should not share sons classified as cynic or manipulator – certainly no more than with another movie trying to say a Important story in a convincing and beautiful way. And this movie represents a lot of risks that I can not imagine well in India more and more sectarian and puritan. I highly recommend & quot; Everything we imagine as light. & Quot;
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